Ann Grimmer (BFA 1935): A Century of Art & Life
Monday, February 22, 2010
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Posted by: Eve Sanford
Ann Grimmer: A Century of Art & Life
February 17, 2010
Approaching her 100th birthday on February 17, 2010 my mom has been painting since childhood.
She studied on a scholarship at the Art Institute of Chicago
from 1928-32. After graduation she continued with two more years of
post graduate work while painting murals in train stations, libraries
and schools for the New Deal WPA (Works Progress administration) during
the Great Depression. During the 1930's her work was juried into six
consecutive Chicago & Vicinity Artists Shows at the Art Institute
of Chicago. Several of her paintings were exhibited at the Springfield
State Museum and in galleries in Taos, New Mexico and Arcadia,
California.
In
1935 she accepted a job as a graphic designer and commercial artist for
Kirk-Teich. She basically did drawings for greeting as well as
postcards. In 1940-41 she won an Art Institute traveling fellowship
with which she went to paint in Mexico. In 1948 she started teaching
art classes in the adult evening education program of Nettlehorst
School in Chicago. Among her first students were Hilda Rubin Pierce and
Helenka Bimstein both of whom later became well-known artists.
Beginning In 1958 for 30 years she taught art classes and conducted
workshops for artists at the Recreation Center, the YWCA and the
Suburban Fine Arts Center all in Highland Park, Illinois. During this
time she became an award winning exhibiting artist. Two of her vividly
expressive paintings "And There's Always Tomorrow" and "St. Tropez
Scene" were juried into the Annual Exhibition of Chicago & Vicinity
Artists at the Art Institute of Chicago. Many of her paintings won
prizes at the North Shore Art League and the Woman's Club of Evanston
Shows. Her wood sculpture, "Who Can Understand A Woman," was awarded
first place at the New Horizons in Sculpture Show in Chicago and her
sculpture, "The Torso," won Best In Show at the Glencoe Art Fair. She
made models of houses and did interior design for Arthur Swanson &
Associates, an architectural firm. She designed the carpets for the
O'Hare Inn, a hotel near the airport. For 10 years she drew renderings
of Catholic, Anglican and Orthodox churches and Jewish Synagogues for
renovation projects for Fred LeRoy & Associates.
Beginning In 1958 for 30 years she taught art classes and conducted
workshops for artists at the Recreation Center, the YWCA and the
Suburban Fine Arts Center all in Highland Park, Illinois. During this
time she became an award winning exhibiting artist. Two of her vividly
expressive paintings "And There's Always Tomorrow" and "St. Tropez
Scene" were juried into the Annual Exhibition of Chicago & Vicinity
Artists at the Art Institute of Chicago. Many of her paintings won
prizes at the North Shore Art League and the Woman's Club of Evanston
Shows. Her wood sculpture, "Who Can Understand A Woman," was awarded
first place at the New Horizons in Sculpture Show in Chicago and her
sculpture, "The Torso," won Best In Show at the Glencoe Art Fair. She
made models of houses and did interior design for Arthur Swanson &
Associates, an architectural firm. She designed the carpets for the
O'Hare Inn, a hotel near the airport. For 10 years she drew renderings
of Catholic, Anglican and Orthodox churches and Jewish Synagogues for
renovation projects for Fred LeRoy & Associates.
She did costume design for the company of modern dancer Anne Rudolph
during the 1940's and later under the name ARG she was the costume
designer for my American Dance Company. In later years she became a
published poet. In 1998 she contributed several of her poems to a book
of photographs called "Dancescapes" by San Francisco photographer
Norinder Dolgra.
She was married to my dad Vernon Grimmer for 48 years. He, too, was
a graduate of the Art Institute of Chicago and painted murals for the
WPA. After discovering that he could not make a living as an easel
painter in the Depression, he studied architecture at the Armour
Institute of Technology (now the Illinois Insitute of Technology). He
became an architect and product designer. During the war he designed
battleships, aircraft carriers and submarines for the Austin Company.
During the post-war era he designed houses, schools, motels and
commercial buildings in addition to the interiors of the Zephyr train
and Betty Crocker kitchens. I, their only child, became a dancer,
choreographer, artistic director and dance teacher.
for original article visit: http://www.pioneerlocal.com/winnetka/news/2048973,winnetka-yourbirthday-021710-s1.article
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